Overreliance on metaphor to express Juliette’s jaw-dropping surprise wears thin: “My mouth is sitting on my kneecaps. Fast-paced action scenes convey imminent danger vividly, but there’s little sense of a broader world here. The ending falls flat as the plot devolves into comic-book territory. But Adam belongs to a resistance movement he helps Juliette escape to their stronghold, where she finds that she’s not the only one with superhuman abilities.

Unfortunately, he’s a soldier under orders from Warner, a power-hungry 19-year-old. Adam, it turns out, is immune to her deadly touch. After months of isolation, her captors suddenly give her a cellmate-Adam, a drop-dead gorgeous guy. Juliette’s journal holds her tortured thoughts in an attempt to repress memories of the horrific act that landed her in a cell. Juliette was torn from her home and thrown into an asylum by The Reestablishment, a militaristic regime in control since an environmental catastrophe left society in ruins. More diverse than many Camelot representations (Sir Bors has a physical disability, Sir Tristan has brown skin in otherwise white Camelot, and there is a pair of lesbian lovers), this is a retelling designed for a modern audience more interested in people than battles and more intrigued by identity and affection than honor and questing.Ī dystopic thriller joins the crowded shelves but doesn't distinguish itself. The connective tissue of the power women wield despite being overlooked doesn’t always hold together, but the questions Guinevere asks about women and power, and the subtext that chaos is inherently feminine (the defeated Dark Queen, Guinevere, the Lady of the Lake) while Arthur represents masculinity and control, are intriguing-although this volume comes to no conclusions. White ( Slayer, 2019, etc.) sets up an ambitious take on Arthurian lore, with many details familiar yet altered-Lancelot is a woman, Mordred is Arthur’s right hand and also very appealing, and Guinevere intends only good, although it seems as if this incarnation may still bring ruin, in this case merely by being magical in a world that has banished magic. Guinevere is a mystery: an impostor princess, daughter of Merlin, and possessor of magical knowledge, she has been sent to Camelot to pose as queen and keep Arthur safe.

An acclaimed master of the female-centric retelling turns her hand to Arthuriana.

The guinevere deception book